GOLDEN FUND

Ilyas Zhansugurov – one of the largest Kazakh writers of the 20th century, poet, playwright, publicist, translator and educator, who played a key role in the development of national literature and culture. His work became a reflection of the soul of the Kazakh people, its history, traditions and aspirations. Born in 1894 in the Aksus volost, he was imbued with folk culture from an early age in a word, an epic, a song, which was subsequently reflected in his works. Zhansugurov’s literary career began in 1912, and already in 1917 poems “Saryarka” and “Tilek” were published in the magazine “Saryarka”. Since then, his work has become an integral part of Kazakh literature. Zhansugurov was not only a talented poet, but also a deep researcher of national culture. His poems "Kui" and "Kuishi" glorify art dombra, a "Kulager" became a real encyclopedia of the life of nomads. In it, the author with incredible lyricism conveyed the tragedy of Akan Sera, who lost his faithful steed. In addition to fiction, Zhansugurov was actively involved in educational activities, created textbooks, translated works of world classics, including Pushkin, Lermontov, Nekrasov, Mayakovsky, Heine and Hugo. He was the first chairman of the Writers' Union of Kazakhstan, participated in the preparation of educational programs, critical articles and folklore collections.But, like many talented Kazakh intellectuals of that era, his life was cut short tragically. In 1937  arrested, and in shot in 1938. They tried to erase his works from the memory of the people, but despite this, his poems and poems survived years of repression and remained immortal.Today the name of Ilyas Zhansugurov occupies a worthy place in the history of Kazakh literature. His work continues to inspire, his lines resonate in hearts, and his contribution to the culture of Kazakhstan cannot be overestimated.

Kadir Ginayatuly Myrza Ali(1935–2011) - people's writer of Kazakhstan, poet, co-author of the first state anthem of independent Kazakhstan (1992– 2006). His work includes more than 50 poetic collections,  literary-critical and children's books, translated into many languages. Born in the village of Dzhambeity, West Kazakhstan region. From an early age I was interested in literature, at the age of 11 he wrote his first poem. In 1958 he graduated from the Faculty of Philology of Kazakh State University named after Kirov. Worked as a journalist and editor in the publications "Baldyrgan", "Zhuldyz", "Zhazushy". In 1992 became Deputy Chairman of the Committee on National politics, in 1994 the year - People's Deputy of the Republic of Kazakhstan. Among the significant books: “Koktem”, “Oy Ormany” (Lenin Komsomol Prize), “Zheruyik” (State Prize of the Kazakh SSR), two-volume book “Dombyra”, “Kyzyl Kitap”, etc. In Russian translated 13 of his books.The author of more than 200 songs, was actively involved in translations of works Ovid, Rumi, Heine, Hugo, Lermontov, Yesenin, etc.In 2010 on the 75th anniversary of the poet a 20-volume collection of works was published.

Kalibek Kuanyshpayev (1893-1968) – outstanding Kazakh actor, People's Artist USSR (1959), one of the founders of the professional theatrical art of Kazakhstan. Born on April 25, 1893, in the village of Sarytau, Karkaraly region. In 1916, he was mobilized for the construction of defensive structures in Belarus, then worked at a tannery in Omsk and as a distiller livestock. Supported the October Revolution, for some time he headed the village council. Stage activity began in the 1920s years, when he performed as a folk comedian at the Koyanda fair. In 1925 in Kzyl-Orda he participated in the creation of the first professional Kazakh theater (now the Kazakh State Academic Drama Theater named after M. O. Auezova). In 1928 moved to Alma-Ata, where he worked until 1964 , having played more than 150 roles. Since 1937, he acted in films, wrote plays, satirical stories and poems for radio and stage. Published the collections "Tuyreuish" ("Hairpin") and "Shansharlar" (“Wits”) In collaboration with Shakhmet Khusainov, he created the plays “Shansharlar” and “Ak Zhaulyk — kok Zhaulyk.”In 1943, he joined the All-Union Communist Party of Bolsheviks, and from 1946 to 1958, he was a deputy of the Supreme Soviet of the USSR. In 1959, he received title of People's Artist of the USSR.Died on June 7th, 1968. Buried in Alma-Ata at the Central Cemetery. The Kazakh State Academic Music and Drama Theater in Astana is named in his honor.

Kazangap Tlepbergenuly is the great Kazakh kuishi, whose music has swept through the centuries, leaving a deep mark in the hearts listeners. Born in 1854 in the town of Akbauyr in the west of the Aral Sea, he was fascinated by the sounds of dombra from childhood. Seeing his talent, his father personally made an instrument for him, which became an extension of the soul of the young musician.The first kui “Bay horse” Kazangap created in 1875 and since then his name began to be heard in various corners Kazakh land. He traveled, met with folk musicians, enriching his technique and style. His kuis are philosophical reflections on life, on human dignity, on the beauty of nature and on complex historical events. In the works “Trenches”, “Remained in people",“Aitys”, “My era”, “Red Caravan” reflects tragic moments 1916–1917 .Kazangap left behind more than 120 kuys,  his musical heritage still inspires musicians. His melodies are performed by orchestras, his works are heard on concert stages, and streets, music colleges and art schools are named after him.Kui Kazangapa is the voice of the Kazakh steppe, its pain, joy and eternal wisdom.

Kopen Amirbek (29 March 1950 – 9 November 2022) — Kazakh journalist, satirist, public figure. Graduated from Kazakh State University in 1974 then studied in Vladivostok at a two-year military party school. Since 1975 he has been engaged in creative activities. Worked in the newspapers Kazak Adebieti and Egemen Kazakhstan in the department of satire and feuilletons, was the executive secretary of the magazines Bilim zhane enbek and Ara – Shmel, press secretary in the General Prosecutor's Office and the Supreme Court of Kazakhstan. He headed the Ara magazine, was the deputy director of the Kazakh Radio, and also the chairman of the satire council of the Union of Writers of Kazakhstan. Laureate of the All-Union competitions for young satirists in Moscow and Tashkent (1980). Author of popular books of satire and parody, Aty zhok kitap, Alyp, Tilim kyshyp barady, Kysyr angime, Auyzbastyryk, Myn bir mysal, Nemenenye zhetisip kulesіn?, ozindi tanisyn ba?, Sidagi Koyshydan saraydagy patshaga deyin. He was an active author of the humorous theatrical show Tamasha and created his own satire and parody theater Kөpen kele zhatyr!...Thanks to his sharp pen and subtle sense of humor, Kөpen Amirbek has become one of the most recognizable and beloved Kazakh satirists.

The Legend of Korkyt is a philosophical reflection on life, death and immortality, contained in art. Korkyt – akyn, zhyrau, composer, whose name is associated with the appearance kobyz. His birth was accompanied by unusual phenomena: a three-year stay in the womb, darkness that covered the world for three days, and a storm that instilled fear in people. The name “Korkut” is translated as “fear” but his fate became a symbol of the fight against inevitability. Seeking immortality, he wandered around the world, he met everywhere people digging his grave. Realizing that it was impossible to avoid death, Korkyt found eternity in art. According to one legend, he played the kobyz, and while the music sounded, death retreated. However, one day, tired, he fell asleep, and at that moment he was bitten by a snake – an image of sudden death.Korkyt-Ata became the patron saint of musicians, and his philosophy reflects the views of the Turkic peoples on eternity: “There is no immortality, but good deeds remain.” Art, created by man, survives centuries, and Korkyt music is confirmation of this.

Kudaibergen Sultanbaev is an outstanding Kazakh actor, theater teacher and public figure, whose name is forever inscribed in the history of national culture. His contribution to the development of theater, cinema and the humorous genre remains invaluable. He graduated from the acting department of the Kazakh State Institute of Arts in 1974, after which he became an actor at the Kazakh State Academic Drama Theater named after M. O. Auezov. He worked in the theater for almost 20 years, creating vivid stage images that the audience loved. Kudaibergen Sultanbaev gained real national fame thanks to his participation in the humorous program "Tamasha", where he not only played, but also performed producer. His sparkling humor, artistry and unique presentation made him one of the most beloved comedians in Kazakhstan. In addition to acting, he is active engaged in pedagogy, passing on his skills to young talents at the Kazakh National Academy of Arts.His merits were noted with many awards, among which titles “Honored Artist of the Kazakh SSR” (1983) and “People’s Artist of Kazakhstan” (1996). In 2008 he was awarded the Order “Kurmet” for his outstanding contribution to art.Kudaibergen Sultanbayev made a huge contribution to the development of national culture, becoming an example of dedication to his work, talent and people's love.

Kulyash Baiseitova (1912–1957) was a Kazakh opera singer (lyric soprano), People's Artist of the USSR and one of the brightest stars of Kazakh opera. She was the first Kazakh singer to be awarded the title of People's Artist of the USSR, and became a symbol of the flowering of national opera art. She was born in 1912 in the Kokshetau district (now the territory of Kazakhstan). From childhood, she showed musical talent and from a young age participated in theatrical productions. She graduated from the studio at the Kazakh Musical Theater and already in 1934, at the age of 22, she became a soloist of the first Kazakh Opera and Ballet Theater (now the Abay Theater). She gained real fame for her role as Sarah in the opera “Birzhan and Sarah” by composer Mukan Tulebaev, where she not only demonstrated brilliant vocals, but also created a deeply dramatic image. This role became her hallmark. Among other significant works are the parts of Aizhan in “Aiman-Sholpan”, Azhar in “Abai”, Tatyana in “Eugene Onegin”. Her performance was distinguished not only by virtuoso technique, but also by deep emotional content.Kulyash Baiseitova was one of the first Kazakh singers who presented national music on the international stage. In 1936, she performed in Moscow at the Decade of Kazakh Art, where her talent was highly appreciated. In 1937, she received the title of People's Artist of the USSR, becoming the youngest artist in history to be awarded this title.Her life was cut short in 1957, but her contribution to the development of Kazakh opera and musical culture remains invaluable. Today, streets, theaters and music educational institutions in Kazakhstan are named after her, and her image remains an inspiration for young vocalists.

Kurmangazy Sagyrbayuly (1818–1884) was a Kazakh composer, kuishi and dombra player, one of the greatest musicians of the Kazakh people. He was born in the Bukey Horde (now the territory of Western Kazakhstan) and showed a talent for playing the dombra from childhood. His teacher was the famous kuishi Uzak, but soon Kurmangazy surpassed many masters, creating unique melodies reflecting the life of the Kazakh people.His work became a symbol of the struggle for freedom and independence. In his kuyas, he conveyed the suffering of ordinary people, their desire for justice and the spirit of resistance. For his views and support for the poor, he was repeatedly persecuted by the authorities, arrested several times and imprisoned. Despite this, his music continued to sound, passing from generation to generation.Among his most famous works are “Saryarka”, “Adai”, “Kishkentai”, “Balbyraun”, “Turmeden kashkan”. These kui became symbols of Kazakh national identity, reflecting the strength, will and indomitability of the people. Today, Kurmangazy's music is performed not only in Kazakhstan, but also abroad, and the Kazakh National Orchestra of Folk Instruments bears his name. His work occupies a special place in the culture of Kazakhstan, and his contribution to the development of national music remains invaluable.

Lyala Sultankyzy  is the face of Kazakhstani television and one of the most influential women in the media industry country. TV presenter, producer, media manager and author of many successful projects. Her name is associated with quality content and bold innovative solutions. She began her career back in the 90s, going from a journalist to the head of television channels. She was at the origins of such popular programs as "Әyel Bakyty", worked on the TV channels "Hit TV", "TRK Shahar" and "Kazakhstan". Under her leadership, children's TV channel "Balapan" has become one of the key projects in the development of children's television in the Kazakh language. Laila doesn't just create television shows—she's changing the perception of Kazakh TV by introducing new formats and promoting national content. Her contribution to the media industry has been recognized with prestigious awards, including the title "Honored Worker of Kazakhstan" (2015) medal “Eren Enbegi Ushin” (2022).She is always in search of fresh ideas, develops social and educational projects and inspires the new generation journalists. Her name is a symbol of quality, creativity and professionalism in the Kazakh media.

Madina Eralieva is an outstanding Kazakh singer who has left a bright mark in the history of national stage and folk art. Her pure her voice (coloratura soprano) and soulful performance of songs made her a favorite of listeners. Born in 1954  Kyzylorda region, graduated from the music department of the Kyzylorda Pedagogical School, and then the Kazakh Women's Pedagogical Institute. Her career began at the Institute of Literature and Art, but she gained true fame as a soloist of the Almaty Regional Philharmonic, where she worked until the end of her life. Tragically died in a car accident in 2000 but her name continues to live in the hearts of fans. A street in Almaty and the Palace of Culture are named in her honor in Kyzylorda, where a museum in memory of the singer is also opened. She was awarded many awards, including the title of Honored Artist of the Kazakh SSR and the Republic Kazakhstan, as well as the Certificate of Honor of the Republic of Uzbekistan. Books have been written about her life and work, including “Madina” (2002) and “Kazaktyn Madinasy” (2013). Madina Eralieva’s creative legacy is not only songs, but also her contribution to the development of Kazakh musical culture, inspiring new generations of performers.

Magauiya Khamzin was a renowned Kazakh dombra player, composer-kyushi, and a prominent representative of the shertpe-kui tradition. He was born on December 29, 1927, in what is now the Aktogay District of the Karaganda Region. From the age of 10, he developed a passion for the dombra and went on to achieve great heights in the national art of kui. The development of Khamzin as a kyushi was significantly influenced by his father, Khamza, as well as the celebrated kyushi Akk yz. He first showcased his talent through masterful performances of Tattimbet’s kuis “Saryzhailau” and “Sylkyldak.” In 1949, he graduated from the Almaty Music College and began performing with the Karaganda Philharmonic. Later, he worked with the Orchestra of Kazakh Folk Instruments and became widely known as a solo dombra player within the Kazakhconcert ensemble. Magauiya Khamzin composed works not only within the traditional musical canon but also on contemporary themes. Among his notable kuis are: “Qosbasar” (two versions), “Miners’ Kui,” “Cosmonauts,” “Golden Grain,” “Jailau,” “The Race,” “Kui about Amangeldy,” “Shepherd’s Kui,” “Unknown Soldier,” “Tokyrauyn Tolgauy,” “Young Kazakh,” and others. As a recognized master of the dombra, Magauiya Khamzin was awarded the title of People’s Artist of the Kazakh SSR in 1979. In 1998, at an international festival dedicated to the 175th anniversary of Kurmangazy, he, along with tokpe-kui performer Rysbai Gabdiev, received the prize “For a Great Contribution to the Development of Traditional Musical Culture.” The creative legacy of Magauiya Khamzin made a significant contribution to the evolution of Kazakh kui art. He left behind works that will forever remain in the golden treasury of the nation’s musical heritage.

Malbagar Mendikulov is an outstanding architect, the founder of Kazakh architectural science, who played a key role in shaping the appearance of Almaty and other cities of Kazakhstan. Born in 1909 in the Orenburg province. Graduated from the Central Asian Industrial Institute, after which he actively worked in Uzbekistan, designing important objects of Tashkent, including Navoi Avenue, theater named after A. Navoi and the Angren siphon of the Great Tashkent Canal. In 1941 he became the chief architect of Tashkent and chairman of the Union of Architects of Uzbekistan.During the Great Patriotic War, he volunteered for the front, where he served until the Victory, receiving the rank of major. After the war, he led Uzplanproekt and in 1947 was invited to Kazakhstan. In Almaty, he served as chief city ​​architect and head of the Department of Architecture and Construction of the Kazakh SSR, participated in the development of the city master plan, reconstruction of Lenin Avenue (now Dostyk), as well as the public center of the capital.Among his significant projects are the Wedding Palace in Almaty, the administrative building of the winery, the Karlygash cafe and Aina-Bulak, monuments to Zhambyl Zhabayev and Mukhtar Auezov, reconstruction of the Abai Museum in Semipalatinsk. He was one of the authors of the project of the Kazakh pavilion at the All-Russian Agricultural Exhibition in Moscow. In 1957 became a corresponding member of the Academy of Construction and Architecture of the USSR. Until the end of his life he was engaged in architectural research and teaching. Died in 1986 buried at the Kensai cemetery in Almaty.

Marat Bisengaliev is a famous Kazakh violinist and conductor who has become famous on the world stage. Born in 1962 in Alma-Ata. Graduated from the Republican Music School named after K. Baiseitova, then studied at the Almaty Conservatory and the Moscow Conservatory, where he completed his postgraduate studies under the direction of Valery Klimov. In 1989, he founded the Altyn-Alma chamber orchestra in Alma-Ata. That same year, he went on tour in England, where his talent was noticed by representatives of the recording industry. In the following years, he released 14 albums with the world's largest labels, including Naxos and Sony. He has toured extensively in 35 countries, and in 2006 he founded the first professional symphony orchestra in India. In 2011, he performed at Buckingham Palace for Prince Charles. Bisengaliev was recognized as the “Musical Symbol of the Decade” of Kazakhstan and awarded the Sony BMG Gold Disc. In 2017, he celebrated his 55th birthday with a series of concerts, and also organized a large-scale show “Energy of Sound” in Astana.

Mayra Mukhamedkyzy (also known as Mayra Kerey) is a Kazakh opera singer (soprano), the first Kazakh soloist of the Paris Grand Opera. She was born on September 5, 1969 in Kulja, China, into a musical family: her father was a famous composer and collector of Kazakh folk songs, her mother was a singer and People's Artist of China. In 1987, Mayra graduated from the music department of the Central University of Nationalities of China, and then from the Beijing Conservatory. In 1994, she moved to Kazakhstan, where she became a soloist of the Abay State Academic Opera and Ballet Theater in Almaty. In 1998, she took third place at the International Tchaikovsky Competition, becoming the first laureate from Kazakhstan. In 2002, Mayra signed a two-year contract with the Paris Grand Opera, where she debuted in Puccini's opera La Boheme as Musetta. She also performed at the Washington Opera at the invitation of Placido Domingo, performing a role in Tchaikovsky's opera The Maid of Orleans. Her repertoire includes parts in Donizetti's L'elisir d'amore, Meyerbeer's L'Africaine and others. In December 2015, Mayra was invited to Astana Opera as a leading soloist. She is a laureate of the State Prize of the Republic of Kazakhstan (2008) and a knight of the Order of Otan (2020). In 2024, she was awarded the title of People's Artist of Kazakhstan. Mayra Mukhamedkyzy is married to Aksan Askhat-uly, a two-time Asian motocross champion and ten-time Chinese motorcycle racing champion. The couple has a daughter, Aida, born on February 2, 2012. Her work is highly appreciated by critics and the public for her bright, crystal clear voice and artistry. Mayra continues to actively perform on the international opera stage, representing Kazakh art.In 2024, Mayra Mukhamedkyzy took part in the referendum in Kazakhstan, casting her vote at a polling station located in the opera and ballet theater in Shymkent. Her contribution to the development of opera art and the popularization of Kazakh culture on the international stage is significant and deserves recognition.

Meruert Karataevna Utekesheva is a name that will forever remain in the hearts of fans of Kazakh cinema and theater. Her legendary image Kyz-Zhibek became a symbol of beauty, grace and feminine strength, and her talent and dedication to art made her one of the greatest actresses in Kazakhstan.She was born on February 25, 1951 in Uralsk and from childhood was surrounded by a love of art. In 1968, her fate changed forever - a young, still unknown girl was invited to play the main role in movie “Kyz-Zhibek”. Her gentle, but strong image, her sincerity and emotionality captivated millions of viewers. It was not just a performance of a role – it was the birth of a legend.After the stunning success of the film, Meruert Utekesheva entered the Kazakh State Institute of Arts, where she studied with the best stage masters. Already in 1973, she became an actress at the Kazakh State Academic Drama Theater named after M. Auezova, to whom she devoted her entire life. Her theatrical works amaze with their depth and versatility. Karagoz in the play of the same name by Mukhtar Auezov, Enlik in “Enlik – Kebek”, Gaini in "The Lost Friend", Aliman in "Mother's Field" - each role became a real event, awakening sincere emotions in the audience.But her work was not limited to the theater. Her filmography is a whole era of Kazakh cinema. She starred in the films “Chokan Valikhanov”, “The Tale of the Beautiful Aisulu”, “My House on the Green Hills”, “City of Dreams”, “The Old Woman”, as well as in the popular TV series “Aisha”, “Zhanym” and “Zhanym-2”. In every image there is genuine sincerity, in every movement there is precision and filigree work of the great actress.Her contribution to the development of Kazakh culture was highly appreciated. In 1982 she was awarded the title of Honored Artist of the Kazakh SSR. She was awarded the Kurmet and Parasat orders, and became a laureate of republican and all-Union theater awards.In 2022 she received the title “Honorary Citizen of the City of Almaty” - recognition of her invaluable contribution to art.But, perhaps her main achievement – is the love of the audience. Theatre, stage, cinema – for her it was not just a profession, but the meaning of life. Each of her roles was imbued with honesty and dedication. Her heroines inspired, gave hope, made us believe in the power of love and kindness.Meruert Utekesheva is more than an actress. This is an era, this is a symbol, this is a legacy that all of Kazakhstan is proud of.

Mirzhakip Dulatov is a Kazakh poet, writer, journalist, playwright, one of leaders of the "Alash- Horda" movement. Born 25 November 1885  in the Turgai region. I lost my parents early his mother died when he was 2 years old, his father died when he was 12. He graduated from elementary school, then Russian-Kazakh school (1902), after which he became a rural teacher. His mentor was Akhmet Baitursynov, with whom Mirzhakip collaborated in literature and politics. In 1904 I met Alikhan Bukeikhanov in Karkaraly. In 1907 Dulatov went to St. Petersburg for the All-Russian Congress of Cadets as a delegate from the Kazakh Party of Constitutional Democrats. He created magazine "Serke", where it published the poem "Zhastarga" ("Youth"). Written article “Bizdin maksatymyz” (“Our Goal”) for the second issue, but the publication was closed.In 1910 Mirzhakip Dulatov wrote the novel “Bakytsyz Zhamal” (“Unhappy Jamal”), which is considered the first Kazakh novel. In it he revealed the problems of the oppressed position of women in Kazakh society.In parallel, he became one of the leaders of Kazakh reformism. His activities aroused suspicion among the authorities, and in 1911 in Semipalatinsk he was arrested for poem “Zhumbak”, where he allegorically ridiculed Emperor Nicholas II. He was sentenced to 2 years in prison, but later the punishment was replaced with a fine of 2000 rubles.After his release, Dulatov actively published in the magazine "Aykap" and the newspaper "Kazakh", which he founded together with Akhmet Baitursynov. In his articles he criticized the social and political situation of the Kazakhs. In 1913 he published poem “Azamat” (“Citizen”)In 1916 during the uprising against the mobilization of the Kazakhs on rear work, Dulatov, together with Baitursynov and Bukeikhanov, spoke out for the implementation of the royal decree. This caused disagreements among the people.In 1917, he became the organizer of the First All-Kazakh Congress in Orenburg, where the Alash party was created, and later became a member of the Alash Orda government.After the defeat of the Alash autonomy in 1920, he left politics and took up publishing and teaching activities. In 1928, he sharply opposed the abolition of the Arabic alphabet, considering it a threat Kazakh language and culture.

Mukagali Makataev is one of the brightest and most talented poets of Kazakhstan, whose works have become a reflection of the soul of the people. His work is imbued with sincerity, love of life and philosophical reflections on the fate of man. Born in 1931 in the village of Karasaz Alma-Ata region. He worked as a teacher, a journalist, a radio announcer, and later as a literary consultant for the Writers' Union of Kazakhstan. He began writing poetry from a young age, and the poem “Appassionata” brought him fame. (1962), after which his name joined the ranks of the best Kazakh poets. His poetry – is a combination melody, depth and simplicity, understandable to every reader. He is the author of the collections “Hello, Friends,” “My Swallow,” “Swans Don’t Sleep,” “Poem of Life,” and many others. In his works, Makataev sang love, nature, native land, reflected on the meaning of life and the inevitability of time. Many of his poems became songs that live among the people. Makataev was also involved in translations: Thanks to him, Kazakh readers became acquainted with the works of Walt Whitman, William Shakespeare and Dante. His translation of The Divine Comedy is recognized as one of the best interpretations of this great work.Despite the fact that his life was short, Makataev’s work left an indelible mark on Kazakh literature. His poems continue to inspire, finding a response in the hearts of people of all generations.

Mukhtar Omarkhanovich Auezov is an outstanding Kazakh writer, playwright and scientist. Laureate Lenin (1959) and Stalin Prize (1949), Academician of the Academy of Sciences of the Kazakh SSR (1946). His epic novel “The Way of Abai” became a classic of world literature. Born 28 September 1897 in the Shyngystau tract, Semipalatinsk region. Lost early parents and was raised by his uncle. In 1919 graduated from the Semipalatinsk Teachers Seminary. In 1917 he staged his first play “Enlik-Kebek” in the yurt of Abai’s wife, Aigerim. Later he created his main work – the novel “Abai’s Path”, which reveals the life of Kazakh society for the second time half of the 19th century and the fate of Abai Kunanbayev. The novel was translated into Russian by a whole group of translators, but the key work was done by Anna Nikolskaya. Her translation subsequently formed the basis for translations into 20 languages. Mukhtar Auezov died 27 June 1961 in Moscow. His work continues to inspire readers around the world.

Mukhtar Shakhanov is a Kazakh writer, poet and playwright, who made a significant contribution to the development of national literature and culture. His work reflects deep philosophical reflections, national identity and historical memory of the Kazakh people. Having started his literary activity in the 1960s years, he quickly gained recognition thanks to his poems, which featured the theme of human values, language and traditions. Many of his works were translated into Russian and Kyrgyz languages, gaining wide popularity among readers. Since 1984, Shakhanov headed the magazine "Zhalyn", where he supported young authors and contributed to the development of modern Kazakh literature. He also actively participated in the social and political life of the country, advocating the preservation of national culture and spiritual heritage. His contribution to literature was awarded the Lenin Komsomol Prize for the book "Faces times", as well as a number of other awards, including the titles of People's Writer of Kazakhstan and People's Poet of Kyrgyzstan. For his work in the field of culture, he was awarded the Order "Otan" and the State Prize of Kazakhstan. In addition to literary activities, Shakhanov paid attention to environmental issues, was involved in the protection of the Kazakh language, proposed reforms in the field of education and culture. His works and social activities contributed to the strengthening of cultural ties between the Turkic peoples and the preservation of their historical heritage.

Nagima Eskalieva – a legend of the Kazakh stageNagima Khabdulovna Eskalieva (born February 3 1954 ) – Soviet and Kazakh pop singer singer, film actress, TV presenter, People's Artist of Kazakhstan (1999), Honored Artist of the Kazakh SSR (1985).Born into a large family, I was interested in the stage since childhood. Graduated from the Republican Studio of Variety and Circus Arts (class of Lucky Kesoglu) and the Tchaikovsky Music College. In 1977 she began her career in "Kazakhconcert", and then became a soloist of the ensemble "Gulder".In 1985  joined the ensemble "Medeu".The owner of a powerful and expressive voice, Eskalieva performs Kazakh folk, Soviet and modern pop songs. Toured in Czechoslovakia, Mongolia, Algeria, Cuba, GDR and Denmark.She was a member of the jury of vocal shows SuperStar KZ and X Factor Kazakhstan (eight seasons). She made a significant contribution to the development of the Kazakh pop scene and the education of a new generation of performers.

Nurgali Nusipzhanov (born January 5 1937) - Kazakh singer, teacher, People's Artist of the Republic of Kazakhstan (1993), winner of the State Prize of the Kazakh SSR (1982). He graduated from the vocal department of the Kazakh State Conservatory in 1964 . He worked as a soloist of the Kazakh Opera and Ballet Theater, then the Kazakh Philharmonic, as well as a music editor at the Kazakh radio and television. He was the first performer of many vocal works by Nurgisa Tlendiev, made a great contribution to the development of the Otyrar Sazy orchestra and the Zhazir ensemble. His repertoire includes Kazakh folk songs and works of famous composers. Performed with such legends as Roza Baglanova, Bibigul Tulegenova, Rosa Rymbaeva, Makpal Zhunusova and others Traveled all over Kazakhstan with solo concerts,  performed abroad in Europe, Asia and Africa. Awarded the orders of Kurmet, Parasat, Barys III degree, noted with the titles Honorary Citizen of Almaty and Honored Worker of Culture of Uzbekistan.

Nurgisa Tlendiev – is not just a name in the history of Kazakh music, it is an era sounding in dombra, orchestra and the hearts of the people. Composer, conductor, dombra player, People's Hero of Kazakhstan and People's Artist of the USSR – he was a man who knew how to speak to the Universe through music.Born in 1925 in the village of Shilikemer and from childhood his fate was sealed – his father taught him to play the dombra, and the great Akhmet Zhubanov took him under his wing. Already at the age of 12, Tlendiev was an accompanist, and at 14, a conductor of an orchestra of folk instruments.The war did not spare him either - he went to the front as a volunteer. But, having gone through fire and trials, he returned to devote himself to music again. He studied at the Kazakh Conservatory, then in Moscow, trained at the Bolshoi Theater.His work spans more than 500 works – from cues to operas, from cantatas to symphonies. His music is heard in films that every Kazakh knows: “Kyz Zhibek”, “My name is Kozha”, “Batyr Bayan”.In 1981 he founded the legendary orchestra "Otrar Sazy", returning ancient Kazakh instruments to the world, reviving the sounds of the steppe and nomads ancestors. He brought Kazakh music to a new level, creating a bridge between the past and the future.On October 15, 1998, he passed away, but his dombra continues to sound in orchestras, in the voices of folk singers, in the memory of everyone who has ever heard his works.

Nurlan Altaevich Onerbaev was born on November 4, 1961 in the village of Koksaek, Tolebi region South Kazakhstan region. In 1980 he graduated from the theater studio at the Kazakh State Drama Theatre, and in 2000 - the Faculty of Law of the Kazakh National Pedagogical University named after Abay.From  1980 to 1991 he worked as an actor in the Kazakh StateAcademic Drama Theater named after M. O. Auezov. In 1990–1998 headed “Kazakh radio", then he was a soloist of the pop-symphony orchestra, translator and deputy head of the dubbing group agency Khabar In 1998–2002 he was the leading soloist and artistic director of the creative group of the Presidential Orchestra. In 2001–2006 he again worked at Kazakh Radio and then headed the Department of Culture Almaty. In 2008–2011 he was a deputy of the Mazhilis of the Parliament of the Republic of Kazakhstan.Since 2011, he has been engaged in creative activities. His repertoire includes about 300 songs, including Sagynysh, Auylym, Ake Armany, Anashym, Karagym-ay, Aidai and many others. He is the first performer of more than 70 compositions which are included in the repertoire of young singers.Awarded for his contribution to the culture of Kazakhstan titles “Honored Artist of the Republic of Kazakhstan” and “Honored Worker of Kazakhstan.”

Nursulu Elubaevna Tapalova (1923–1998) - Kazakh and Soviet artist ballet, film actress, Honored Artist of the Kazakh SSR (1954). Since childhood, she showed interest in performing arts, performed in an amateur theater group. At the age of 13 she entered the dance school at the Kazakh Academic Opera Theater and ballet.In 1936-1939 she studied at the ballet school at the theater under the direction of K. Dzhandarbekova. Since 1936 has performed as a ballet soloist of the Kazakh Academic Opera and Ballet Theater, and since 1953 — with as part of "Kazakhconcert".She shone in various pop concerts and the miniature genre.On November 6, 1946, she performed “Kazakh Dance” by L. Hamidi at the government concert in honor of the 29th anniversary of the October Revolution. Aibolit" I. V. Morozova and "Esmeralda" directed by M. Moiseev.In addition to ballet, Tapalova starred in about 20 films, successfully combining stage and cinematic activities. In 1947, she was elected deputy of the Almaty City Council (1947-1949).In 1954 continued her career at the Kazakh State Philharmonic in Dzhambul, performing in the Kazakh Song and Dance Ensemble SSR. In 1958 participated in the celebration of the Tenth Anniversary of Kazakh Literature and Art in Moscow.Nursulu Tapalova left a significant mark on the history of Kazakh ballet, pop and cinema, becoming one of the brightest representatives of her generation.

In the period from 1950 to 1990 Laziza Aimasheva made a huge contribution to the development of the Kazakh television, becoming a true devotee of national culture. Having graduated from the Almaty Medical Institute and choosing the path of a doctor, she later devoted herself to creativity and became the first announcer of Kazakh television. The voice of Laziza Aimasheva was familiar to every family— her warm words that sounded from the screen were captivating viewers. Thanks to her professionalism and talent, she contributed to the rise of Kazakh television to new heights. The creative heritage of Laziza Aimasheva includes works that have left their mark on the history of the country. Among them are a 20-episode documentary film dedicated to the 20th anniversary of the Victory in the Great Patriotic War, as well as the program “Golden Star of a Hero”, “Mangyshlak”, included in the “Golden Star” Fund" of Kazakh television. Under her leadership, such popular programs were created as "Conversations about Cinema", "Cinema Club-Travel", "Nature and We", which won the love of the audience.Laziza Aimasheva is an outstanding personality who has made an invaluable contribution to the development of television journalism and trained many professional announcers. As a laureate of the Union of Journalists of Kazakhstan, she will forever be remembered and respectfully mentioned in the history of our country television.

Жұмат Шанин – режиссер, драматург, актер, қазақтың ұлттық кәсіби театр өнерінің негізін салушылардың бірі, қоғам және театр қайраткері.

Ілия Жақанов - қазақ жазушысы, композиторы, музыкатанушысы, публицист. Қазақстанның Еңбек Ері (2022), Қазақстанның еңбек сіңірген қайраткері.

Құман Тастанбеков - кино және театр актері, Қазақстанның халық әртісі (1993), Қазақстан Ленин комсомолы сыйлығының лауреаты (1976).

Мұхтар Мағауин - қазақтың көрнекті жазушысы, әдебиет зерттеушісі, тарихшы, филология ғылымдарының докторы. Қазақ КСР Мемлекеттік сыйлығының лауреаты (1984), Қазақстанның халық жазушысы (1996).