GOLDEN FUND

Kulyash Baiseitova (1912–1957) was a Kazakh opera singer (lyric soprano), People's Artist of the USSR and one of the brightest stars of Kazakh opera. She was the first Kazakh singer to be awarded the title of People's Artist of the USSR, and became a symbol of the flowering of national opera art.She was born in 1912 in the Kokshetau district (now the territory of Kazakhstan). From childhood, she showed musical talent and from a young age participated in theatrical productions. She graduated from the studio at the Kazakh Musical Theater and already in 1934, at the age of 22, she became a soloist of the first Kazakh Opera and Ballet Theater (now the Abay Theater).She gained real fame for her role as Sarah in the opera “Birzhan and Sarah” by composer Mukan Tulebaev, where she not only demonstrated brilliant vocals, but also created a deeply dramatic image. This role became her hallmark. Among other significant works are the parts of Aizhan in “Aiman-Sholpan”, Azhar in “Abai”, Tatyana in “Eugene Onegin”. Her performance was distinguished not only by virtuoso technique, but also by deep emotional content.Kulyash Baiseitova was one of the first Kazakh singers who presented national music on the international stage. In 1936, she performed in Moscow at the Decade of Kazakh Art, where her talent was highly appreciated. In 1937, she received the title of People's Artist of the USSR, becoming the youngest artist in history to be awarded this title.Her life was cut short in 1957, but her contribution to the development of Kazakh opera and musical culture remains invaluable. Today, streets, theaters and music educational institutions in Kazakhstan are named after her, and her image remains an inspiration for young vocalists.

Kurmangazy Sagyrbayuly (1818–1884) was a Kazakh composer, kuishi and dombra player, one of the greatest musicians of the Kazakh people. He was born in the Bukey Horde (now the territory of Western Kazakhstan) and showed a talent for playing the dombra from childhood. His teacher was the famous kuishi Uzak, but soon Kurmangazy surpassed many masters, creating unique melodies reflecting the life of the Kazakh people.His work became a symbol of the struggle for freedom and independence. In his kuyas, he conveyed the suffering of ordinary people, their desire for justice and the spirit of resistance. For his views and support for the poor, he was repeatedly persecuted by the authorities, arrested several times and imprisoned. Despite this, his music continued to sound, passing from generation to generation.Among his most famous works are “Saryarka”, “Adai”, “Kishkentai”, “Balbyraun”, “Turmeden kashkan”. These kui became symbols of Kazakh national identity, reflecting the strength, will and indomitability of the people. Today, Kurmangazy's music is performed not only in Kazakhstan, but also abroad, and the Kazakh National Orchestra of Folk Instruments bears his name. His work occupies a special place in the culture of Kazakhstan, and his contribution to the development of national music remains invaluable.

Lyala Sultankyzy  is the face of Kazakhstani television and one of the most influential women in the media industry country. TV presenter, producer, media manager and author of many successful projects. Her name is associated with quality content and bold innovative solutions.She began her career back in the 90s, going from a journalist to the head of television channels. She was at the origins of such popular programsas "Әyel Bakyty", worked on the TV channels "Hit TV", "TRK Shahar" and "Kazakhstan". Under her leadership, children's TV channel"Balapan" has become one of the key projects in the development of children's television in the Kazakh language.Laila doesn't just create television shows—she's changing the perception of Kazakh TV by introducing new formats and promoting national content. Her contribution to the media industry has been recognized with prestigious awards, including the title "Honored Worker of Kazakhstan" (2015) medal “Eren Enbegi Ushin” (2022).She is always in search of fresh ideas, develops social and educational projects and inspires the new generation journalists. Her name is a symbol of quality, creativity and professionalism in the Kazakh media.

Madina Eralieva is an outstanding Kazakh singer who has left a bright mark in the history of national stage and folk art. Her pure her voice (coloratura soprano) and soulful performance of songs made her a favorite of listeners.Born in 1954  Kyzylorda region, graduated from the music department of the Kyzylorda Pedagogical School, and then the Kazakh Women's Pedagogical Institute. Her career began at the Institute of Literature and Art, but she gained true fame as a soloist of the Almaty Regional Philharmonic, where she worked until the end of her life.Tragically died in a car accident in 2000 but her name continues to live in the hearts of fans. A street in Almaty and the Palace of Culture are named in her honor in Kyzylorda, where a museum in memory of the singer is also opened.She was awarded many awards, including the title of Honored Artist of the Kazakh SSR and the Republic Kazakhstan, as well as the Certificate of Honor of the Republic of Uzbekistan. Books have been written about her life and work, including “Madina” (2002) and “Kazaktyn Madinasy” (2013).Madina Eralieva’s creative legacy is not only songs, but also her contribution to the development of Kazakh musical culture, inspiring new generations of performers.

Magauiya Khamzin – Kazakhtyn әigіli dombyrashysy, kuyshi-composers, shertpe kuy dәsturіnіn kornekti okili. Ol 1927 zhyly 29 zheltoksanda Kazіrgі Karagandy baldness Aktogay audanynda duniege kelgen. 10? style="text-align: start;">Khamzinnin kuishilik zholynda akesi Khamza, sonday-ak әigіli Akkyz kuyshi magnyzdy rol atkardy. Ol Tattimbettin “Saryzhailau”, “Sylkyldak” kuylerin sheber orindap, algashky talentyn corsetti. 1949 zhyly Almaty music school tәmamdap, Karagandy philharmonic synda oner korsete bastady. Kazaqtyn khalyk aspaptar orchestrande қзмет еtype, "Kazakhconcert" birlestiginde zheke dombyrashy retinde tanyldy.Magauiya Khamzin dәstүrі kuylermen қatar zamanaui takyryptarga da tuyndylar zhazdy. Onyң shyғarmalary arasynda: “Kosbasar” (ekі nұskasy), “Shakhtar kuyi”, “Cosmonavtar”, “Altyn astyk”, “Zhailau”, “Zharys”, “Amangeldi turaly kuy”, “Shopan kuyi”, “Belgіsіz soldier”, “Tokyrauyn tolgauy”, “Zhas Kazak” sekildi kuyler bar.Dombyra onerinіn nagyz sheberi atangan Magauia Khamzin 1979 zhyly Kazakh KSR-inin halyk artisi atagyn aldy. 1998 zhyly Kurmangazynyn 175 zhyldygyna arnalgan halykaralyk festivalde tokpe kuishi Rysbay Gabdievpen birge “Dasturly music onerine” sinirgen zor enbegi ushin" zhildesin yelendi.Magauia Khamzinn shyғarmashylyғy қазaқ күй онерінін damuyna zor ules kosty. Kaldyrdy.

Malbagar Mendikulov is an outstanding architect, the founder of Kazakh architectural science, who played a key role in shaping the appearance of Almaty and other cities of Kazakhstan. Born in 1909 in the Orenburg province. Graduated from the Central Asian Industrial Institute, after which he actively worked in Uzbekistan, designing important objects of Tashkent, including Navoi Avenue, theater named after A. Navoi and the Angren siphon of the Great Tashkent Canal. In 1941 he became the chief architect of Tashkent and chairman of the Union of Architects of Uzbekistan.During the Great Patriotic War, he volunteered for the front, where he served until the Victory, receiving the rank of major. After the war, he led Uzplanproekt and in 1947 was invited to Kazakhstan. In Almaty, he served as chief city ​​architect and head of the Department of Architecture and Construction of the Kazakh SSR, participated in the development of the city master plan, reconstruction of Lenin Avenue (now Dostyk), as well as the public center of the capital.Among his significant projects are the Wedding Palace in Almaty, the administrative building of the winery, the Karlygash cafe and Aina-Bulak, monuments to Zhambyl Zhabayev and Mukhtar Auezov, reconstruction of the Abai Museum in Semipalatinsk. He was one of the authors of the project of the Kazakh pavilion at the All-Russian Agricultural Exhibition in Moscow. In 1957 became a corresponding member of the Academy of Construction and Architecture of the USSR. Until the end of his life he was engaged in architectural research and teaching. Died in 1986 buried at the Kensai cemetery in Almaty.

Mayra Mukhamedkyzy (also known as Mayra Kerey) is a Kazakh opera singer (soprano), the first Kazakh soloist of the Paris Grand Opera. She was born on September 5, 1969 in Kulja, China, into a musical family: her father was a famous composer and collector of Kazakh folk songs, her mother was a singer and People's Artist of China. In 1987, Mayra graduated from the music department of the Central University of Nationalities of China, and then from the Beijing Conservatory. In 1994, she moved to Kazakhstan, where she became a soloist of the Abay State Academic Opera and Ballet Theater in Almaty. In 1998, she took third place at the International Tchaikovsky Competition, becoming the first laureate from Kazakhstan. In 2002, Mayra signed a two-year contract with the Paris Grand Opera, where she debuted in Puccini's opera La Boheme as Musetta. She also performed at the Washington Opera at the invitation of Placido Domingo, performing a role in Tchaikovsky's opera The Maid of Orleans. Her repertoire includes parts in Donizetti's L'elisir d'amore, Meyerbeer's L'Africaine and others. In December 2015, Mayra was invited to Astana Opera as a leading soloist. She is a laureate of the State Prize of the Republic of Kazakhstan (2008) and a knight of the Order of Otan (2020). In 2024, she was awarded the title of People's Artist of Kazakhstan. Mayra Mukhamedkyzy is married to Aksan Askhat-uly, a two-time Asian motocross champion and ten-time Chinese motorcycle racing champion. The couple has a daughter, Aida, born on February 2, 2012. Her work is highly appreciated by critics and the public for her bright, crystal clear voice and artistry. Mayra continues to actively perform on the international opera stage, representing Kazakh art.In 2024, Mayra Mukhamedkyzy took part in the referendum in Kazakhstan, casting her vote at a polling station located in the opera and ballet theater in Shymkent. Her contribution to the development of opera art and the popularization of Kazakh culture on the international stage is significant and deserves recognition.

Meruert Karataevna Utekesheva is a name that will forever remain in the hearts of fans of Kazakh cinema and theater. Her legendary image Kyz-Zhibek became a symbol of beauty, grace and feminine strength, and her talent and dedication to art made her one of the greatest actresses in Kazakhstan.She was born on February 25, 1951 in Uralsk and from childhood was surrounded by a love of art. In 1968, her fate changed forever - a young, still unknown girl was invited to play the main role in movie “Kyz-Zhibek”. Her gentle, but strong image, her sincerity and emotionality captivated millions of viewers. It was not just a performance of a role – it was the birth of a legend.After the stunning success of the film, Meruert Utekesheva entered the Kazakh State Institute of Arts, where she studied with the best stage masters. Already in 1973, she became an actress at the Kazakh State Academic Drama Theater named after M. Auezova, to whom she devoted her entire life. Her theatrical works amaze with their depth and versatility. Karagoz in the play of the same name by Mukhtar Auezov, Enlik in “Enlik – Kebek”, Gaini in "The Lost Friend", Aliman in "Mother's Field" - each role became a real event, awakening sincere emotions in the audience.But her work was not limited to the theater. Her filmography is a whole era of Kazakh cinema. She starred in the films “Chokan Valikhanov”, “The Tale of the Beautiful Aisulu”, “My House on the Green Hills”, “City of Dreams”, “The Old Woman”, as well as in the popular TV series “Aisha”, “Zhanym” and “Zhanym-2”. In every image there is genuine sincerity, in every movement there is precision and filigree work of the great actress.Her contribution to the development of Kazakh culture was highly appreciated. In 1982 she was awarded the title of Honored Artist of the Kazakh SSR. She was awarded the Kurmet and Parasat orders, and became a laureate of republican and all-Union theater awards.In 2022 she received the title “Honorary Citizen of the City of Almaty” - recognition of her invaluable contribution to art.But, perhaps her main achievement – is the love of the audience. Theatre, stage, cinema – for her it was not just a profession, but the meaning of life. Each of her roles was imbued with honesty and dedication. Her heroines inspired, gave hope, made us believe in the power of love and kindness.Meruert Utekesheva is more than an actress. This is an era, this is a symbol, this is a legacy that all of Kazakhstan is proud of.

Mirzhakip Dulatov is a Kazakh poet, writer, journalist, playwright, one of leaders of the "Alash- Horda" movement.Born 25 November 1885  in the Turgai region. I lost my parents early his mother died when he was 2 years old, his father died when he was 12. He graduated from elementary school, then Russian-Kazakh school (1902), after which he became a rural teacher. His mentor was Akhmet Baitursynov, with whom Mirzhakip collaborated in literature and politics. In 1904 I met Alikhan Bukeikhanov in Karkaraly.In 1907 Dulatov went to St. Petersburg for the All-Russian Congress of Cadets as a delegate from the Kazakh Party of Constitutional Democrats. He created magazine "Serke", where it published the poem "Zhastarga"("Youth"). Written article “Bizdin maksatymyz” (“Our Goal”) for the second issue, but the publication was closed.In 1910 Mirzhakip Dulatov wrote the novel “Bakytsyz Zhamal” (“Unhappy Jamal”), which is considered the first Kazakh novel. In it he revealed the problems of the oppressed position of women in Kazakh society.In parallel, he became one of the leaders of Kazakh reformism. His activities aroused suspicion among the authorities, and in 1911 in Semipalatinsk he was arrested for poem “Zhumbak”, where he allegorically ridiculed Emperor Nicholas II. He was sentenced to 2 years in prison, but later the punishment was replaced with a fine of 2000 rubles.After his release, Dulatov actively published in the magazine "Aykap" and the newspaper "Kazakh", which he founded together with Akhmet Baitursynov. In his articles he criticized the social and political situation of the Kazakhs. In 1913 he published poem “Azamat” (“Citizen”)In 1916 during the uprising against the mobilization of the Kazakhs on rear work, Dulatov, together with Baitursynov and Bukeikhanov, spoke out for the implementation of the royal decree. This caused disagreements among the people.In 1917, he became the organizer of the First All-Kazakh Congress in Orenburg, where the Alash party was created, and later became a member of the Alash Orda government.After the defeat of the Alash autonomy in 1920, he left politics and took up publishing and teaching activities. In 1928, he sharply opposed the abolition of the Arabic alphabet, considering it a threat Kazakh language and culture.

Mukagali Makataev is one of the brightest and most talented poets of Kazakhstan, whose works have become a reflection of the soul of the people. His work is imbued with sincerity, love of life and philosophical reflections on the fate of man.Born in 1931 in the village of Karasaz Alma-Ata region. He worked as a teacher, a journalist, a radio announcer, and later as a literary consultant for the Writers' Union of Kazakhstan. He began writing poetry from a young age, and the poem “Appassionata” brought him fame. (1962), after which his name joined the ranks of the best Kazakh poets.His poetry – is a combination melody, depth and simplicity, understandable to every reader. He is the author of the collections “Hello, Friends,” “My Swallow,” “Swans Don’t Sleep,” “Poem of Life,” and many others. In his works, Makataev sang love, nature, native land, reflected on the meaning of life and the inevitability of time. Many of his poems became songs that live among the people.Makataev was also involved in translations: Thanks to him, Kazakh readers became acquainted with the works of Walt Whitman, William Shakespeare and Dante. His translation of The Divine Comedy is recognized as one of the best interpretations of this great work.Despite the fact that his life was short, Makataev’s work left an indelible mark on Kazakh literature. His poems continue to inspire, finding a response in the hearts of people of all generations.

Mukhtar Omarkhanovich Auezov is an outstanding Kazakh writer, playwright and scientist. Laureate Lenin (1959) and Stalin Prize (1949), Academician of the Academy of Sciences of the Kazakh SSR (1946). His epic novel “The Way of Abai” became a classic of world literature.Born 28 September 1897 in the Shyngystau tract, Semipalatinsk region. Lost early parents and was raised by his uncle. In 1919 graduated from the Semipalatinsk Teachers Seminary.In 1917 he staged his first play “Enlik-Kebek” in the yurt of Abai’s wife, Aigerim. Later he created his main work – the novel “Abai’s Path”, which reveals the life of Kazakh society for the second time half of the 19th century and the fate of Abai Kunanbayev.The novel was translated into Russian by a whole group of translators, but the key work was done by Anna Nikolskaya. Her translation subsequently formed the basis for translations into 20 languages.Mukhtar Auezov died 27 June 1961 in Moscow. His work continues to inspire readers around the world.

Mukhtar Shakhanov is a Kazakh writer, poet and playwright, who made a significant contribution to the development of national literature and culture. His work reflects deep philosophical reflections, national identity and historical memory of the Kazakh people.Having started his literary activity in the 1960s years, he quickly gained recognition thanks to his poems, which featured the theme of human values, language and traditions. Many of his works were translated into Russian and Kyrgyz languages, gaining wide popularity among readers.Since 1984, Shakhanov headed the magazine "Zhalyn", where he supported young authors and contributed to the development of modern Kazakh literature. He also actively participated in the social and political life of the country, advocating the preservation of national culture and spiritual heritage.His contribution to literature was awarded the Lenin Komsomol Prize for the book "Faces times", as well as a number of other awards, including the titles of People's Writer of Kazakhstan and People's Poet of Kyrgyzstan. For his work in the field of culture, he was awarded the Order "Otan" and the State Prize of Kazakhstan.In addition to literary activities, Shakhanov paid attention to environmental issues, was involved in the protection of the Kazakh language, proposed reforms in the field of education and culture. His works and social activities contributed to the strengthening of cultural ties between the Turkic peoples and the preservation of their historical heritage.

Nagima Eskalieva – a legend of the Kazakh stageNagima Khabdulovna Eskalieva (born February 3 1954 ) – Soviet and Kazakh pop singer singer, film actress, TV presenter, People's Artist of Kazakhstan (1999), Honored Artist of the Kazakh SSR (1985).Born into a large family, I was interested in the stage since childhood. Graduated from the Republican Studio of Variety and Circus Arts (class of Lucky Kesoglu) and the Tchaikovsky Music College. In 1977 she began her career in "Kazakhconcert", and then became a soloist of the ensemble "Gulder".In 1985  joined the ensemble "Medeu".The owner of a powerful and expressive voice, Eskalieva performs Kazakh folk, Soviet and modern pop songs. Toured in Czechoslovakia, Mongolia, Algeria, Cuba, GDR and Denmark.She was a member of the jury of vocal shows SuperStar KZ and X Factor Kazakhstan (eight seasons). She made a significant contribution to the development of the Kazakh pop scene and the education of a new generation of performers.

Nurgali Nusipzhanov (born January 5 1937) - Kazakh singer, teacher, People's Artist of the Republic of Kazakhstan (1993), winner of the State Prize of the Kazakh SSR (1982).He graduated from the vocal department of the Kazakh State Conservatory in 1964 . He worked as a soloist of the Kazakh Opera and Ballet Theater, then the Kazakh Philharmonic, as well as a music editor at the Kazakh radio and television.He was the first performer of many vocal works by Nurgisa Tlendiev, made a great contribution to the development of the Otyrar Sazy orchestra and the Zhazir ensemble. His repertoire includes Kazakh folk songs and works of famous composers. Performed with such legends as Roza Baglanova, Bibigul Tulegenova, Rosa Rymbaeva, MakpalZhunusova and othersTraveled all over Kazakhstan with solo concerts,  performed abroad in Europe, Asia and Africa. Awarded the orders of Kurmet, Parasat, Barys III degree, noted with the titles Honorary Citizen of Almaty and Honored Worker of Culture of Uzbekistan.

Nurgisa Tlendiev – is not just a name in the history of Kazakh music, it is an era sounding in dombra, orchestra and the hearts of the people. Composer, conductor, dombra player, People's Hero of Kazakhstan and People's Artist of the USSR – he was a man who knew how to speak to the Universe through music.Born in 1925 in the village of Shilikemer and from childhood his fate was sealed – his father taught him to play the dombra, and the great Akhmet Zhubanov took him under his wing. Already at the age of 12, Tlendiev was an accompanist, and at 14, a conductor of an orchestra of folk instruments.The war did not spare him either - he went to the front as a volunteer. But, having gone through fire and trials, he returned to devote himself to music again. He studied at the Kazakh Conservatory, then in Moscow, trained at the Bolshoi Theater.His work spans more than 500 works – from cues to operas, from cantatas to symphonies. His music is heard in films that every Kazakh knows: “Kyz Zhibek”, “My name is Kozha”, “Batyr Bayan”.In 1981 he founded the legendary orchestra "Otrar Sazy", returning ancient Kazakh instruments to the world, reviving the sounds of the steppe and nomads ancestors. He brought Kazakh music to a new level, creating a bridge between the past and the future.On October 15, 1998, he passed away, but his dombra continues to sound in orchestras, in the voices of folk singers, in the memory of everyone who has ever heard his works.

Nurlan Altaevich Onerbaev was born on November 4, 1961 in the village of Koksaek, Tolebi region South Kazakhstan region. In 1980 he graduated from the theater studio at the Kazakh State Drama Theatre, and in 2000 - the Faculty of Law of the Kazakh National Pedagogical University named after Abay.From  1980 to 1991 he worked as an actor in the Kazakh StateAcademic Drama Theater named after M. O. Auezov. In 1990–1998 headed “Kazakh radio", then he was a soloist of the pop-symphony orchestra, translator and deputy head of the dubbing group agency Khabar In 1998–2002 he was the leading soloist and artistic director of the creative group of the Presidential Orchestra. In 2001–2006 he again worked at Kazakh Radio and then headed the Department of Culture Almaty. In 2008–2011 he was a deputy of the Mazhilis of the Parliament of the Republic of Kazakhstan.Since 2011, he has been engaged in creative activities. His repertoire includes about 300 songs, including Sagynysh, Auylym, Ake Armany, Anashym, Karagym-ay, Aidai and many others. He is the first performer of more than 70 compositions which are included in the repertoire of young singers.Awarded for his contribution to the culture of Kazakhstan titles “Honored Artist of the Republic of Kazakhstan” and “Honored Worker of Kazakhstan.”

Nursulu Elubaevna Tapalova (1923–1998) - Kazakh and Soviet artist ballet, film actress, Honored Artist of the Kazakh SSR (1954). Since childhood, she showed interest in performing arts, performed in an amateur theater group. At the age of 13 she entered the dance school at the Kazakh Academic Opera Theater and ballet.In 1936-1939 she studied at the ballet school at the theater under the direction of K. Dzhandarbekova. Since 1936 has performed as a ballet soloist of the Kazakh Academic Opera and Ballet Theater, and since 1953 — with as part of "Kazakhconcert".She shone in various pop concerts and the miniature genre.On November 6, 1946, she performed “Kazakh Dance” by L. Hamidi at the government concert in honor of the 29th anniversary of the October Revolution. Aibolit" I. V. Morozova and "Esmeralda" directed by M. Moiseev.In addition to ballet, Tapalova starred in about 20 films, successfully combining stage and cinematic activities. In 1947, she was elected deputy of the Almaty City Council (1947-1949).In 1954 continued her career at the Kazakh State Philharmonic in Dzhambul, performing in the Kazakh Song and Dance Ensemble SSR. In 1958 participated in the celebration of the Tenth Anniversary of Kazakh Literature and Art in Moscow.Nursulu Tapalova left a significant mark on the history of Kazakh ballet, pop and cinema, becoming one of the brightest representatives of her generation.

Olzhas Suleimenov is a Kazakh poet, writer, literary critic, public figure and diplomat. Hero of Labor of Kazakhstan, People's Writer of the Kazakh SSR, founder of the anti-nuclear movement "Nevada  Semipalatinsk", which achieved the closure of the Semipalatinsk test site.Born May 18 1936 in Alma-Ata. His father, a military man, was repressed in 1937 In 1954 he entered the geological exploration faculty of Kazakh State University, but soon chose literature, graduating from the Gorky Literary Institute in Moscow. He worked in the Union of Writers of Kazakhstan, Union filmmakers, was the ambassador of Kazakhstan to Italy, Greece, to Malta and the permanent representative of Kazakhstan to UNESCO.Received wide popularity in 1961 thanks to the poem “Earth, bow to man,” dedicated to the first flight of Yuri Gagarin. Among his iconic works  is the collection “Argamaki”, “Clay Book”, “Az and I”, “Language” letters." His works explore the influence of Turkic languages ​​on ancient Russian culture and history.Suleimenov was actively involved in politics and social activities. He was a deputy of the Supreme Soviet of the USSR and Kazakhstan, was involved in environmental and cultural issues. Made a significant contribution to the development of Kazakh cinema, participated in the creation of such films as “Kyz-Zhibek” and “Land of the Fathers.”His work combines historical depth, philosophical insight and linguistic research. Suleimenov remains a key figure in literature, science and social life of Kazakhstan.

Oralkhan Bokeev is one of the most original writers of Kazakhstan, whose works have become an integral part of national literature. in 1943 in the Katon-Karagai region, and from an early age absorbed the beauty of his native places, which later became the central theme of his work.His path to literature began through journalism – he worked in regional and republican newspapers, and then headed “Cossack Adebieti.” However, his real recognition came with the first collection “Kamchiger” (1970), which immediately distinguished him among the writers of that time. Followed by him followed “The Pleiades”, “Where are you, white-fronted foal?”, “Glacier Mountains” and other works, translated into many languages ​​of the world.Bokeev wrote about the life of ordinary people - shepherds, machine operators, foresters, reindeer herders. But his prose went far beyond everyday life: it containedphilosophical reflections on fate, human nature, good and evil. Nature in his works is not just a background, but an equal participant in events, a mentor and tester heroes.His books are imbued with the spirit of Eastern Kazakhstan - snowy peaks of Altai, sand dunes, stormy rivers and boundless steppes come to life on the pages, becoming part of human destinies. It was this combination of realism and metaphor that made his work unique.Bokeev was awarded many awards, his works have been translated into German, English, Chinese, Japanese and other languages. He left an indelible mark on the literature of Kazakhstan, and his books continue to inspire new generations of readers.

Raisa Sadykova is the first Kazakh woman conductor, teacher, Honored Worker of the Republic Kazakhstan (1995). She went down in history as a pioneer in the field of conducting art in Kazakhstan.Born July 18 1944 in the Almaty region. I loved music since childhood, played the mandolin in a village ensemble. Graduated from the Almaty Music College, then the Kazakh National Conservatory named after Kurmangazy, a later – St. Petersburg Conservatory named after N. Rimsky-Korsakov.From 1964 to 1975 she worked as an artist of the Kazakh National Instrumental Orchestra. Later she became the conductor of the Kazakh State Academic Opera and Ballet Theater named after Abai. In 1995 she was awarded for her contribution to the development of art title “Honored Worker of the Republic of Kazakhstan.”For many years she was engaged in teaching activities, was a member of the jury of international competitions and the chairmanstate exams at the Kurmangazy Conservatory. Among her students  are Rashid Skuratov, Honored Artist of Tatarstan.Raisa Sadykova was distinguished by rare musicality, artistry and high professional technique. She left life 2 June 2020 , buried at the Kensai cemetery in Almaty.

Ramazan Bapov is a star of the Kazakh ballet, who left a bright mark in the history of world art. His name has become a symbol talent, dedication and devotion to the stage.Born into a simple working-class family, he found himself in the world of art from childhood. His brothers were the first to go into ballet, and then, as if by the call of fate, Ramazan himself was noticed by the great teacher Alexander Seleznev. Since then, his incredible story began.As a student at the Moscow Choreographic School, he immediately attracted attention with his plasticity, expression and unique manner of performance. In 1966, being an unknown young artist, he won silver at a prestigious competition in Varna, losing only to Mikhail Baryshnikov. Despite offers to stay at the Bolshoi Theater, Bapov returned to his homeland and became a soloist of the Kazakh Opera and Ballet Theater named after Abai.On stage he was not just a dancer—he was an artist. His jumps resembled flight, and the dramatic depth of his performance captivated the audience. Maya Plisetskaya herself was admired by his manner dance: lightness, brilliance, brightness and subtlety of each movement.The first and only People's Artist of the USSR in the history of Kazakhstan ballet, he represented the country on the world's best stages — from Europe to Asia. Later he passed on his experience to young dancers, taught in Turkey and the USA, founded his own ballet school.In 2007 he returned to Kazakhstan at the invitation of the president and became the chief choreographer of the Kazakh Opera and Ballet Theater. Even in the last years of his life he remained faithful to art, raising a new generation of artists.Ramazan Bapov is a name that will forever remain in the history of Kazakhstan ballet, and his work is in the hearts of fans around the world to the world.

Rishat Abdullin is a velvety baritone who filled the Kazakh opera with life, depth and genuineness emotion. A voice, in which the grandeur of the steppes, the power of the people's soul and subtle lyricism sounded. His work is not just opera arias, but a whole era in the history of Kazakh art.He was born in 1916 in Ust-Kamenogorsk, in a family of Tatar origin. Since childhood, together with his twin brother Muslim, he helped to his father, working in a mine. Hard work strengthened his character, but music always lived in him. He felt it intuitively – and soon this talent led him to the world of art.Studying at the Alma-Ata Music and Drama College, then – in the Kazakh studio at the Moscow Conservatory. Years of hard work, awareness of yourself, your voice. And So, in 1944 he becomes the first performer of the role of Abai in the legendary opera by AkhmetZhubanova and Latifa Hamidi “Abai.” From that moment on, his name is firmly associated with the Kazakh opera stage.Soloist of the Kazakh Opera and Ballet Theater for forty years years. Voice, to which the leading roles in the operas of Russian, Western European and Soviet composers are subject. In the art of opera, he found his own style, his manner of performance strong, sincere, penetrating into the very heart.Rishat and Muslim Abdullins – the duet which became legend. One a tenor, the other a baritone, they created real magic on stage. Their duets were heard in concerts, films, at opera stage. Kazakh, Russian, Tatar folk songs, works of great classics – everything they touched, turned into musical gold.Fame, recognition, the title of People's Artist of the USSR, film roles – his life was full of art. And even when he left stage, his voice remained alive in the recordings, in the hearts of listeners, in the history of Kazakh culture.Rishat Abdullin is not just a singer, he is a voice that filled the Kazakh opera with soul.

Roza Tazhibaevna Baglanova (1922–2011) is a legendary Kazakh singer, People's Artist of the USSR, one of the most famous performers of Kazakh folk and pop songs. Her name has become a symbol of steadfastness, talent and dedication to art, and her voice has captivated listeners around the world.She was born on January 1, 1922 in the Kyzylorda region. From childhood, she showed musical talent, and after graduating from school she entered the Tashkent Textile Institute. However, the war changed her fate - during the Great Patriotic War she performed with concert brigades in front of soldiers at the front, raising their fighting spirit.After the war, her career developed rapidly. She became a soloist of the Kazakh State Philharmonic, and then the State Academic Opera and Ballet Theater. Her repertoire included both Kazakh folk songs and pop works in various languages, including Russian, Uzbek, Korean, Chinese and even German.Roza Baglanova triumphantly performed on the world's largest stages, including the Kremlin, Berlin, Paris, Prague, Vienna, Warsaw and Beijing. Her hallmark was the song “Ah, Samara-gorodok”, which she performed with special warmth.For her contribution to the development of art, she was awarded many awards, including the title of People's Artist of the USSR (1967), the Order of Lenin, the Order of Otan and other high state awards. Despite her venerable age, she continued to perform, remaining true to her calling.Roza Baglanova left a deep mark on the history of Kazakh culture. Her voice, filled with warmth and strength, remains part of the heritage of Kazakhstan, and her name is forever inscribed in the golden fund of world musical culture.

Roza Kuanyshevna Rymbayeva (born October 28, 1957) is a legendary Kazakh singer, People's Artist of the Kazakh SSR, one of the most famous and respected performers in the history of Kazakh pop music. Her name has become a symbol of the musical art of Kazakhstan, and her voice and stagecraft have captivated millions of listeners.She was born in the Semipalatinsk region (now the Abai region). From childhood, she showed musical abilities and soon entered the pop and circus school in Alma-Ata. In 1976 she became a soloist of Kazakhconcert, where her professional career began.Roza Rymbayeva gained real fame after winning the International Competition for Young Performers “Golden Orpheus” in Bulgaria (1977). This triumph opened her way to the world's largest stages. Subsequently, she represented Kazakhstan and the USSR at international festivals, performing in Europe, Asia and North America.The singer's repertoire includes pop, folk and academic works. Among her most famous songs are “Aliya”, dedicated to the heroine of the Great Patriotic War Aliya Moldagulova, “Tugan Zher”, “Kunge Tabynu”, “Kesteli Oramal” and many others. Her voice is distinguished by its power, depth and emotionality, and the stage manner of performance makes each performance unforgettable.For her contribution to the development of culture of Kazakhstan, she was awarded many awards, including the title of People's Artist of the Kazakh SSR, orders “Otan”, “Parasat”, as well as numerous international awards. In addition to her musical career, Roza Rymbayeva is engaged in teaching, training young artists, and actively participates in charitable projects.Today, she continues to delight fans with new performances, remaining one of the main stars of the Kazakh pop music scene. Her name is firmly associated with the musical heritage of Kazakhstan, and her work inspires new generations of performers.

Sabit Mukanov  is one of the key figures of Kazakh literature. He was born 13 (26) April 1900 in the Akmola province (now the North Kazakhstan region). Orphaned early, he experienced poverty and hard work, but the desire for knowledge and art did not leave him. Received his primary education from the aul mullahs, then graduated from teacher courses in Omsk, studied at the Orenburg workers' faculty, and later – at the Moscow Institute of Red Professorship in the literary department.Sabit Mukanov’s creative heritage covers almost all literary genres. Starting with poetry, he wrote such works as “Konilim”, “Bostandyk”, “Zhumashtyn” Olimi" and the famous poem "Sulushash". Later he turned to prose, creating significant novels "Botagoz", "Syr Darya", the autobiographical trilogy "School of Life" and a novel about Shokan Valikhanov “A Flashing Meteor.”In addition to fiction, Sabit Mukanov made a significant contribution to science and literary criticism. He studied the history of Kazakh literature XVIII – early XX century, studied the works of such writers as Saken Seifullin, Mukhtar Auezov, as well as the literary heritage of Abay Kunanbayev and Chokan Valikhanov. His works have been translated into 46 languages ​​and are stored in the largest libraries in the world, including the US Library of Congress and the National Library of Australia.Sabit Mukanov was not only a writer, but also an active public figure. He headed the Writers' Union of Kazakhstan, taught at the Kazakh Pedagogical Institute,worked as a war correspondent during the Great Patriotic War, was a deputy of the Supreme Council of the Kazakh SSR. For his services, he was awarded many awards, including two Orders of Lenin and the State Prize named after Abai.Sabit Mukanov died on April 18, 1973 in Almaty, leaving behind a rich literary and scientific heritage that continues to inspire new generations of readers and researchers.

Saken Maigaziev is a Kazakh singer, teacher and public figure who has made a significant contribution to the development of Kazakh pop music music. For decades, he has remained one of the brightest representatives of the national music scene, successfully combining traditional and modern trends in his work.Since 2001, he has been a soloist of the popular ensemble MuzART, which played an important role in the popularization of Kazakh pop music. The group not only brought a new look to the country’s music industry, but also maintained connections with folk songs.traditions. Their repertoire includes both modern pop compositions, and arrangements of folk songs, which allowedattract a wide audience and preserve the national musical heritage.In addition to performing activities, Maigaziev pays great attention to pedagogy and education of a new generation of artists. He works as a teacher at the Republican College of Variety Circus Arts and the Kazakh National Academy of Arts, where he holds the position of vice-rector for creative work and international relations. His professional training includes not only vocal training skill, but also scientific activity – he defended his dissertation on the topic “Kazirgі kazakh pop music ethnofolklore tendencies”, exploring the development of ethnofolklore elements in modern Kazakh pop music.His contribution to the culture of Kazakhstan has been recognized with many awards, including the State Youth Prize "Daryn", the title "Honored Worker of Kazakhstan", and medal “Halyk Algysy”. His activities cover not only the stage, but also teaching, research work and social activities, contributing to the development of the country's musical art.

Saken Seifullin is one of the brightest representatives of Kazakh culture, poet, writer, statesman figure, the founder of modern Kazakh literature. His name is forever inscribed in the history of the country as a symbol of inspiration, courage and boundless love for his people.Born in 1894 in the endless steppes of the Akmola district, from a young age he was imbued with the spirit of his people, its traditions, language, music. Gifted with literary talent, Seifullin managed to transform Kazakhpoetry, combining in it ancient traditions and modern artistic trends. His works became the voice era, which reflected the hopes and aspirations of the Kazakh people.Among his works are the novel Our Life, a textbook on the history of Kazakh literature, poetry collections Otken kunder", poems "Kyzyl at", "Kokshe tau" and memoirs "The Thorny Path". Seifullin was not just a writer, but also an active public figure, who devoted his life to the struggle for the development of national culture and language. He is the first among Kazakh writers were awarded the Order of the Red Banner of Labor, and his poems inspired thousands of people.However, his patriotism became the reason for his tragic fate. During the period repression, Seifullin was arrested and executed in 1938. Despite this, his ideas, works and love for Kazakhstan remained in the hearts of people. Today, streets, schools and museums bear his name, and his works continue to inspire new generations.Saken Seifullin is not just a writer and public figure, this is an era that has become part of the Kazakh soul.

Sara Idrisovna Kusherbaeva – outstanding Kazakhstani ballerina, choreographer, teacher, professor, People's Artist of the Kazakh SSR (1966).Born February 6 1933 in Alma-Ata. Studied at the Alma-Ata School of Choreography with A. V. Seleznev, then at the Leningrad Academic Choreographic School with V. Kostrovitskaya, N. Kamkova and other masters.In 1954 she became a soloist ballet of the Kazakh State Academic Opera and Ballet Theater named after Abay. She made her debut in the role of Parasha in “The Bronze Horseman” (1955). She performed leading roles in the ballets “Sleeping Beauty”, “Swan Lake”, “Giselle”, “Don Quixote”, “La Bayadère”, "Spartak" and many others. Toured in Germany, Hungary, Mongolia and other countries.From 1973 – repetiteur-choreographer of the theater, from 1975 to 1986 year – director of the Alma-Ata choreographic school, educated manytalented artists.In recent years, she has been engaged in literary activities,  published memoirs.She died on January 24, 1999 in Alma-Ata. Her contribution to the development of Kazakhstan ballet remains invaluable.

Sauyk Masigutkyzy Zhakanova is one of the most recognizable voices of Kazakhstan radio, an honored artist of Kazakhstan (1995), Honored Worker of Kazakhstan (2021), teacher and master of artistic expression. Her voice sounded in the homes of Kazakhs for decades, accompanying them on weekdays and holidays, leaving an indelible mark on the history of our country radio broadcasting.Sauyk Zhakanova was born 11 February1945 in the village of Erkindik, Shet district, Karaganda region. Her parents were simple rural workers, but dreamed of giving their children a decent education. Sauyk, being the eldest in the family, always felt responsible for the future and from her youth showed interest in literature and the art of words.In 1966 having passed a strict competitive selection, Sauyk Zhakanova became an announcer of the Kazakh radio. At that time, the profession of an announcer required not only impeccable command of the Kazakh language, but also a deep understanding of the text, intonation and emotional message.For 36 years, she has been one of the country's leading voices  news, radio plays, documentary programs. Her voice sounded in the most significant state and cultural broadcasts, and for many Kazakhstanis it became a symbol of stability and reliability.The peculiarity of Zhakanova’s work was maximum preparedness: she never allowed herself to read the text mechanically, she always conveyed its depth and meaning.In 1995, she was awarded the honorary title of Honored Artist of Kazakhstan, which was recognition of her enormous contribution to the development of radio broadcasting.Having completed her radio career in 2002 Sauyk Zhakanova did not move away from her favorite work. She began teaching stage speech at the Kazakh National Academy of Arts named after T. Zhurgenov and also became an associate professor at the Faculty of Journalism at the Kazakh National University named after al-Farabi.Her authority in the field of the art of words made her one of the most sought-after mentors for young journalists and announcers. She conveyed not only technical skills, but also a unique professional approach – the ability to convey the meaning of the text to the listener with soul and depth.These works have become important educational material for future journalists, speakers and presenters, forming a high standard of Kazakh radio broadcasting.In 2021 she was awarded the title “Honored Worker” Kazakhstan,” which became another recognition of her contribution to the development of culture and media in Kazakhstan.