27.05.2026
243
Director Erlan Ushakpaev: "If a person remains silent after a film, it means the film has achieved its goal"
A generation of filmmakers is increasingly emerging in Kazakhstani cinema. They are entering the pro...
ARTICLES
20.05.2026
297
Memory written over centuries: how unique manuscripts are being restored in Kazakhstan
The country's historical memory is preserved not only in museums and archives, but also on the pages...
16.05.2026
290
Nizami's Steppe Muse: How a new opera about Appak is being born at Astana Opera
There are stories that cannot be told simply as a love story. They contain too much memory, pain, wa...
13.05.2026
308
Venice Listens to the Steppe: How the Kazakh Pavilion at the Biennale Transforms Memory into an Artistic Space
At the Venice Biennale, contemporary art often speaks loudly. National pavilions compete not only wi...
06.05.2026
390
61st Venice Biennale: “Qoñyr” as Kazakhstan’s New Artistic Statement
The 61st Venice Biennale, one of the oldest and most prestigious events in contemporary art, has ope...
05.05.2026
564
Kamazhai Konobaeva: Ethnic style as a return to roots
Today, Kazakh ethnic style is increasingly transcending the confines of museums or folklore. It is b...
29.04.2026
483
Tradition in Motion: How Kazakhstani Dance Art Speaks to the World
There are art forms that don't require words to be heard. They speak to people through movement, rhy...
28.04.2026
504
From Classics to Macramé: The History of the Aya Anarbek Brand: The Art of Skullcap Creation
"Takia" is one of the traditional headwear of the Kazakh people. Skullcaps are sewn from fabrics suc...
25.04.2026
5871
Aida Balaeva: Creative industries are becoming part of Kazakhstan's new economic policy
President Kassym-Jomart Tokayev's visit to the Creative Industries Development Fund office marked a ...