27.05.2026
131
Director Erlan Ushakpaev: "If a person remains silent after a film, it means the film has achieved its goal"
A generation of filmmakers is increasingly emerging in Kazakhstani cinema. They are entering the pro...
ARTICLES
20.05.2026
225
Memory written over centuries: how unique manuscripts are being restored in Kazakhstan
The country's historical memory is preserved not only in museums and archives, but also on the pages...
18.05.2026
279
The Golden Cradle of Alash: The History of the House Where Abai, Alash, and Auezov Met
May 18th marks International Museum Day. This date celebrates not only the custodians of the exhibit...
16.05.2026
237
Nizami's Steppe Muse: How a new opera about Appak is being born at Astana Opera
There are stories that cannot be told simply as a love story. They contain too much memory, pain, wa...
13.05.2026
251
Venice Listens to the Steppe: How the Kazakh Pavilion at the Biennale Transforms Memory into an Artistic Space
At the Venice Biennale, contemporary art often speaks loudly. National pavilions compete not only wi...
06.05.2026
338
61st Venice Biennale: “Qoñyr” as Kazakhstan’s New Artistic Statement
The 61st Venice Biennale, one of the oldest and most prestigious events in contemporary art, has ope...
05.05.2026
515
Kamazhai Konobaeva: Ethnic style as a return to roots
Today, Kazakh ethnic style is increasingly transcending the confines of museums or folklore. It is b...
29.04.2026
424
Tradition in Motion: How Kazakhstani Dance Art Speaks to the World
There are art forms that don't require words to be heard. They speak to people through movement, rhy...
28.04.2026
465
From Classics to Macramé: The History of the Aya Anarbek Brand: The Art of Skullcap Creation
"Takia" is one of the traditional headwear of the Kazakh people. Skullcaps are sewn from fabrics suc...