The musical evening will be held on November 23 in the Chamber Hall named after K. Baiseitova.

In his work, one of the most interesting authors and performers in Italy today assimilates various styles, experiments, without losing his identity. His compositions penetrate the soul and establish a special connection with listeners, which creates a sense of emotional and spiritual harmony, so it is not surprising that Maurizio Bignone's works regularly occupy the first places in the iTunes charts and are played in major concert halls and programs of many prestigious festivals in Italy, France, the Netherlands, Belgium, Germany, Great Britain, USA, Brazil, Australia, Japan, Singapore, China, Kazakhstan, etc. In addition, the artist works closely with instrumentalists from the Orchestra of the Teatro Massimo in Palermo, the Sicilian Orchestra, the Berlin Philharmonic Orchestra, the Gürzenich Orchestra in Cologne, the Virtuosi of Philadelphia Chamber Orchestra, the Astana Opera Theater, as well as the Tan’g quartet from Singapore, the Sicilian Trio and many concert solo musicians from Europe and America.

In his new solo piano project "Inner Reflections", the performer, composer and writer passionately and with extreme sensitivity describes the states of human nature in relation to the elements of nature and to himself. The project, with which the capital's audience will soon get acquainted, has been successfully presented in the cities of Palermo, Rome (Italy), Hamburg, Dannenberg, Salzwedel, Hitzacker (Germany), Amsterdam (Netherlands), Rio de Janeiro, Sao Paulo (Brazil), etc.

Compositions by Maurizio Bignone have already been performed at the Astana Opera. It was here that world premieres of two of his major works took place in different years, performed by theater artists and invited soloists from the USA and Serbia – "The Legend of Zelda" for viola, two violins, piano and chamber orchestra and a concert symphony for violin, viola and orchestra "Ikebana". The Kazakh audience highly appreciated these compositions and now it expects a deeper acquaintance with the work of the Italian musician, but already in his own performance.